Julia ducournau gay6/30/2023 As a child (played by Adèle Guigue), Alexia is sitting in the back seat of a car driven by her father ( Bertrand Bonello, himself a notable director), who’s got music on the radio. The film’s protagonist, Alexia (Agathe Rousselle), has an affinity for cars that amounts to a sort of destiny. The radical fantasy of its premise-a woman gets impregnated by a car-wrenches the ensuing family drama out of the realm of the ordinary and into one of speculative fantasy and imaginative wonder that demands a suspension of disbelief-which becomes the movie’s very subject. “Titane,” the new film by Julia Ducournau, is a genre film, a twist on horror with a twist on family-like Ducournau’s first feature, “Raw.” But “Titane” is far stronger, far wilder, far stranger. In the best genre movies, the quantity and power of these effects serve as sufficient compensation for the thinned-out drama. You see how different is.The curse of genre is that it encourages filmmakers to downplay causes in the interest of effects. Imagine two minute if it was an American trans director who made it, what they would say to the media, what kind of people that would be involved and what they would say for the community. The rest of her upcoming work will say if I was wrong, or if she will come out even to herself but France is a society that resist very strongly the progressivist ideas that come from this side of the world, they refuse the vocabulary, the concepts, the ideas, and it would be interesting to analyze how you make a movie like this and are not able to politicized it. I think it is someone very very smart, probably questioning herself, with a vision yes but this is it. The profit of the film will probably go back to white straight men in their 50’s, she talks more about film genre than genre. I would argue she is not even aware of the meaning of what she did for our community, she never mention the community, not sure she even though of hiring anyone of the community as part of the crew for example, not sure she thinks of the impact positive or negative it can have for the community. As a French trans working in movies that had to leave cause there is no opportunity there for us, I would argue the work does not speak for her. That’s just as strange as fucking a Cadillac. We cut protein filaments off our scalp and this changes who we are. About life.īeing trans is body horror, because being a person is body horror. About masculinity, about femininity, about bodies and violence and pain and connection. But I will also champion this enigmatic French woman when her art speaks so clearly for itself. I will champion artists who claim their queerness and transness loudly and publicly. She has said her “vision of the world is queer” but she’s never identified her gender or sexuality with any labels. Julia Ducournau can be described in many ways and that includes cis. After just two films, she’s established a unique, carnal voice - a visual style and grasp on sound design and score that’s akin to getting murdered at a night club. Julia Ducournau can be described in many ways. But we see masculinity in all it has to offer - femininity only as a trap. Goodness is just another binary that does not exist. It’s also shown to be beautiful and complicated and tender. This is not a trans film but it is a film about gender and isn’t that the same thing? We say we want to destroy binaries - well here is a film that does just that. Alexia’s violence becomes unjustifiable and then she switches her gender. And yeah it’s hot when a woman sucks on another woman’s nipple ring but it’s not going to save the world.Īnd so Titane explodes its own premise. That women have to fight back and work together and fuck each other or at least a car. That women are objectified and men are predators. A suggestion that gender is simple and can be shown in simple terms. And, sure, that includes literally fucking a Cadillac.īut the beginning is a trick. They present an antihero who gives creepy men what they deserve and who finds connection beyond her cold father and the other offerings of his gender. The first thirty minutes satirize the male gaze and set up a lesbian love story. Another is a fellow dancer - they have a nipple ring related meet cute and start hooking up. One such admirer followers her to her car and she kills him in gleeful self-defense. She is a portrait of alt femininity and she’s desired by people of all genders. Alexia (played by newcomer Agathe Rousselle) is a dancer who grinds on cars as men gawk. Julia Ducournau’s Palme d’Or-winning Titane starts as a simple film. This review does not include major spoilers for Titane, but if you’re already planning on seeing it, I recommend knowing as little as possible. The Autostraddle Encyclopedia of Lesbian Cinema.LGBTQ Television Guide: What To Watch Now.
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